My post yesterday about writing for free prompted lots of response, but the most extensive came from a woman who has been writing novels, screenplays and plays without (so far) much publishing or producing success. You can read her comments here, but I want to take a few minutes to talk about the differences between the writing she is doing and the journalistic writing I was referring to in my post.
Lorraine is trying to break into the online world of writing, and I wish her well. She seems to be doing all the right things. But most of her work falls into a category I call speculative writing. All of us who write novels or short stories, plays or screenplays, are engaging in a process that we hope will at some point result in publication and – perhaps – remuneration. We do it because we love to write, first and foremost, understanding that success – let alone payment – is not guaranteed.
Unless you have a degree from a film school and have connections in the entertainment industry in Los Angeles, the chances of selling a screenplay are slim to none. The same goes for plays: If you live in LA or New York, have come through an acknowledged playwriting program and are tapped into the theater network, you’re better off. But selling a play is still going to be difficult. You might be lucky to get a small regional theater group to stage your play, but you’re not going to make much – if any – money doing it. With novels, again, unless you attended a top creative writing program and made friends with successful novelists who can help you make the right connections in the publishing world, you are swimming upstream.
That is not to say one can’t do all of these things. But, as Lorraine’s post attests, it is a tough slog. And she is a good writer; she also has an honest passion for writing.
Unfortunately in today’s publishing world, it takes more than talent and good writing to get published. It takes persistence (Lorraine seems to have more than enough of that) and connections.
What can one do to increase the odds? Take writing classes and workshops from respected institutions and successful authors. Ask them to help. Attend writers conferences and meet agents and editors. Network, network, network. Keep sending out those queries, and revise your work until it sings. Speculative writing is the hardest kind to do, and also the most rewarding once you do sell that novel, screenplay or play. But a good dose of luck is at play here, as well. Here’s hoping Lorraine hits the jackpot one day soon.